Posted on 24 September 2009 by Brian
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Mr. Hurricane by Beast. This is the coolest song I heard all summer! It makes me feel like big, fuzzy bumble bees are buzzing through my veins. It has a laid back groove that is gently laced with angst…perfect for my summer anthem!
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Posted on 01 July 2009 by Brian
Barron S
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I wear the meaning of indie like a tattoo, it’s a part of me. The term is complicated though, as it has become a homonym due to the changing landscape of the music industry. Is it a type of band? An affiliation? A sound? Or a mindset? It can be argued as any or all of the above, but to me it’s a statement about who I am and what I stand for, both morally and artistically. It is a commitment to the production of quality music, it is a business model, and a personal mantra to never let profit destroy an open, honest expression of art. The term “record label” originally referred to the circular label placed on a vinyl record that prominently displayed the manufacturer’s name. We now understand a record label as a team of people who partner themselves with musicians to handle the majority of the business aspects of a music career, primarily producing, manufacturing, distributing recorded music, and organizing live performances. While a major label deal can seem like the Holy Grail of an artist’s career (especially for extreme right brain thinkers), major labels often do more harm then help. As a business model that is motivated by profit they have been known to sign artists for their own political reasons, sign artists purely based on the intention to shelf their project and keep their work away from cutting into the market share of another artist on their label, pay artists only a fraction of the money they are actually generating so they can offer luxury to major label executives, alter or censor music content, artwork, image etc to increase sales-and that is just the tip of the ice berg. What this type of influence can cause is the homogenization of art and the loss of the artist’s message. A good musician is someone who has found a way to communicate that resonates with their listener. They are a messenger or storyteller that uses their communication to create a connection between people. If the communication between the artist and the listener is the catalyst to creating a fan then why should the artist allow their business team muddy or change the message? Before the creation of the internet musicians needed a middle man (the record label) to have their product distributed so that their music could reach people, but as the internet developed there became more and more ways for people to easily connect to each other, to information, and to art. Also as illegal downloading became common practice for many music lovers it drove the cost of production down, as not even record labels could afford the standards they put in place. This minimizes the need for major labels and their profit loving staff and opens job opportunities for music lovers who excel in business. To be an indie artist is to own your own business. It is to find those music lovers who excel in business and build your own team. It is to develop your own business model, and what you lack in salary you make up for with passion! The main differences in the independent route from the major label business model are 1) The artist owns their business and therefore retains artistic control of their work, and 2) The politics of major labels, in terms of who gets signed and then which artists’ projects get properly funded, are not present. The decision of which artists and projects get funded is decided upon by the listener. Each dollar that comes in from downloads, concert tickets, or T-shirts is like a vote from the listener of who they want to hear more from and what they want to hear. Running my business as an independent musician removes the middleman and strengthens my relationship with the listener. It allows me to have creative control of my art and to work closely with other artists and business professionals whose opinions I highly respect. I’ve seen how listeners can find empowerment in finding their voice, both by voting with their dollar and with their time to fuel the artists with whom they connect. As the independent music scene grows so does the honesty and diversity within our music marketplace and that makes me proud to be indie!
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Posted on 30 June 2009 by Brian
Barron S
Genre: Dance Rock Fusion
Vancouver, BC
Myspace: http://www.myspace.com/barronsmusic
Sample Track: More than You’re In For
Barron S started her singing career in the kitchen of a basement suite; recording vocals through a cut up pair of panty hose into a $30 dollar microphone. Here is her story… Born and raised in small town Nova Scotia, she was always inspired by music, and first began exploring this passion through dance. Barron S enrolled in an intensive training program at a local dance studio and soon found that anytime she wasn’t at school, she was in the dance studio. When she graduated from high school she moved across the country to Vancouver, British Columbia to attend Simon Fraser University’s acclaimed modern dance program.
As Barron S was nearing graduation and was well on her way to a professional dance career, she became a victim in a high velocity impact car accident. In one life changing moment she suffered career ending injuries. The accident led her into a downward spiral of weight gain and depression which pulled her further and further from her performance career.
After much rehabilitation it became clear that Barron S wasn’t able to dance professionally anymore, so she started to take vocal lessons as an artistic outlet. She practiced and trained until one day a light switch turned on inside her and she realized that this must be her true calling. Since that moment Barron S hasn’t looked back, she focused all her efforts and began writing, recording and sculpting a career for herself in the music business. Hip hop artists the Sketch Bros described her as “one of Canada’s hardest working artists. In one year Barron S accomplishes what most artists achieve in four”.
Her music has been described as a cross between The Cranberries and Garbage, after 20 cups of coffee. Her style crosses genres, but her signature sound is funky, dance rock fusion. Her album takes the listener on a ride, as each song is truly unique from the next. Some tracks include metal-like instrumentation with edgy dance beats, while others are funky sounding acoustic guitar based tracks.
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Posted on 18 June 2009 by Brian
We are extremely excited to announce that we will be starting a monthly feature on July 1, Canada Day, titled From the Artists Perspective. In this monthly feature we are working in partnership with many Canadian artists, a producer, and a few promotional companies to bring you this monthly feature which will include two aspects. The first aspect will be asking Canadian artists to give their viewpoint on an assortment of topics surrounding the music industry. The second aspect will be having some artists provide their opinion on a track from fellow Canadian artists. We will be partnering with Sonicbids to accept track submissions across Canada from many independent artists who would like to have their music reviewed by a fellow artist. Ensure to come back and visit July 1st as we bring you this monthly feature currently including the following artists (full bios to come throughout the next week):
Alex from Beware the Leopard
Barron S
Briana Stewart
Brooke from Immaculate Machine
Hayley Stark
Jaded Hipster Choir
Jenn Ashton from Rave On Studio
John Pippus
Kirsten from Project Arctic
Laura Smith
Matt and Steph from The Superfantastics
Matthew Walko
Melissa Endean
Paul from mojave
S
The Pack AD
and more to come once confirmed!
Also working with artists represented by The Musebox, Pigeon Row, and Audio Blood Media
Stay Tuned!
If you want your music reviewed by some of these participating artists click below
